Children of Edon

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Dive into the world of Synthwave, a genre that encapsulates the essence of the 80s with its nostalgic soundscapes and vibrant aesthetics.

Children of Edon

The fundamental concepts of classical physics, space, time, mass, and derived concepts, velocity, momentum, force, angular momentum, energy ... all rest on the principle that material points have trajectories. They are defined as lines in space-time. Even the dynamics of continuous, solid or fluid media describes the trajectories of the material points which constitute the bodies in motion. But the indeterminacy relation of Heisenberg prevents quantum particles from having such classical trajectories, since their position and velocity can not be exactly defined at the same time.

Dive into the world of Synthwave, a genre that encapsulates the essence of the 80s with its nostalgic soundscapes and vibrant aesthetics.

Children of Edon

In the radiant glow of the 1980s, a sonic revolution was brewing. Born from the neon-lit arcades and the afterglow of drive-in theaters, Synthwave emerged as a vibrant tapestry of sound. It was a genre that didn't just borrow from the era's iconic soundtracks; it reimagined them, creating a universe where the future was always just a synth solo away. The pulsating rhythms and ethereal melodies became the heartbeat of a generation, echoing through the digital frontier and beyond.

Chapter 1: Neon Dreams

It was a humid summer night in Nueva Esperanza, 1985. The air hung thick with the scent of synthetic cherry from the vape shops and the distant hum of hovercars zipping through the neon-lit skyways. I was Frankie, a synth runner, and life was a high-stakes game of digital cat and mouse. My weapon of choice? A heavily modified Kawai K3, loaded with custom patches that could make even the most hardened cyberpunks weep.

My mission was simple: deliver a newly composed synth track to the legendary DJ Vector, the gatekeeper of Nueva Esperanza's underground music scene. The track, rumored to be a lost collaboration between Giorgio Moroder and Vangelis, was a golden ticket to fame and fortune. But in a city where every shadow held a secret and every alleyway a potential ambush, nothing was ever that simple.

As I navigated the labyrinthine streets, my senses were on high alert. The city's vibrant energy was a double-edged sword, its dazzling lights and pulsating rhythms masking the lurking dangers. Rival gangs, corporate spies, and rogue AI were all vying for a piece of the synthwave pie, and I was right in the middle of it.

Suddenly, a pair of headlights cut through the darkness, and a souped-up DeLorean screeched to a halt in front of me. Two figures emerged, their faces obscured by glowing masks. "Frankie," one of them growled, "we know what you're carrying. Hand it over, and maybe we'll let you live."

"Hand it over, and maybe we'll let you live"

My heart pounded in my chest, but I refused to back down. This track was my chance to escape the neon-drenched gutters of Nueva Esperanza and make a name for myself. I gripped my Kawai K3 tighter and prepared for a showdown. The future of synthwave was on the line, and I was ready to fight for it.

The ensuing chase was a blur of neon lights and adrenaline. I weaved through crowded streets, dodging hovercars and leaping over obstacles, my pursuers hot on my heels. The city's pulsating rhythms became the soundtrack to our high-speed pursuit, each synth note fueling my determination.

Just when I thought I had lost them, they cornered me in an abandoned arcade. The air crackled with tension as we faced off, the fate of the Moroder-Vangelis track hanging in the balance. But I had a trick up my sleeve. With a flick of my wrist, I unleashed a sonic blast from my Kawai K3, a cacophony of synth waves that disoriented my attackers and sent them scrambling for cover.

I seized the opportunity and made my escape, disappearing into the neon-lit labyrinth of Nueva Esperanza. The track was safe, for now, but I knew this was just the beginning. The synthwave revolution had only just begun, and I was determined to be at the forefront.

As I caught my breath in a hidden alcove, I couldn't shake the feeling that I was being watched. The city's eyes were everywhere, and I knew that my pursuers wouldn't give up easily. I had to find a way to deliver the track to DJ Vector without falling into their clutches. That's when I remembered an old contact, a grizzled synthwave veteran named Roxy Chrome, who knew the city's underbelly like the back of her hand. She could help me navigate the treacherous landscape and get the track to its rightful owner.

I fired up my comms and sent a coded message to Roxy, hoping she was still around. A few tense minutes later, a reply crackled through the speakers. "Frankie, is that you? Meet me at the Pixel Pusher, pronto. And watch your back."

The Pixel Pusher was a dive bar on the edge of the neon district, a haven for synth runners, hackers, and other denizens of the digital underground. As I approached the bar, I scanned the surroundings, wary of any lurking threats. The air was thick with the smell of stale synthohol and the pulsating rhythms of underground synthwave. Inside, I found Roxy Chrome nursing a drink, her face etched with the scars of countless battles. She was a legend in the synthwave scene, known for her sharp wit, her even sharper skills, and her unwavering loyalty.

"Roxy," I said, "I need your help. I've got a track that needs to get to DJ Vector, but I'm being hunted."

Roxy raised an eyebrow. "A Moroder-Vangelis track, eh? That's worth fighting for. I'll help you get it to Vector, but it's going to be a wild ride. Are you ready?"

I nodded, my heart pounding with a mix of fear and excitement. "Let's do it."

With Roxy by my side, I knew I had a fighting chance. Together, we would navigate the treacherous streets of Nueva Esperanza, outsmart our pursuers, and deliver the Moroder-Vangelis track to DJ Vector, ensuring that the synthwave revolution would continue to pulse through the digital frontier.

Read more Children of Edon in substack. Out every Tuesday starting October 2025!

Praise and Reviews

Prince of Persia was the first computer game I ever fell in love with. Mechner’s journey is a universal one for anyone creating something brand-new, and it brought me back to the early, crazy days of building Instagram.

Mike Krieger

cofounder of Instagram

Mechner’s journals are a unique record from the birth of an industry. The Making of Prince of Persia is also an unvarnished window into the creative process, with all its excitement, toil, setbacks, doubts, and triumphs. A fantastic read.

D.B. Weiss

cocreator of HBO’s Game of Thrones

Probably my favorite book on game development.

Neil Druckmann

writer and director of The Last of Us and Uncharted 4

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The Classic Collection

The fundamental concepts of classical physics, space, time, mass, and derived concepts, velocity, momentum, force, angular momentum, energy ... all rest on the principle that material points have trajectories. They are defined as lines in space-time. Even the dynamics of continuous, solid or fluid media describes the trajectories of the material points which constitute the bodies in motion. But the indeterminacy relation of Heisenberg prevents quantum particles from having such classical trajectories, since their position and velocity can not be exactly defined at the same time. How then can it explain all the appearances which legitimize the fundamental concepts of classical physics?

The fundamental concepts of classical physics, space, time, mass, and derived concepts, velocity, momentum, force, angular momentum, energy ... all rest on the principle that material points have trajectories. They are defined as lines in space-time. Even the dynamics of continuous, solid or fluid media describes the trajectories of the material points which constitute the bodies in motion. But the indeterminacy relation of Heisenberg prevents quantum particles from having such classical trajectories, since their position and velocity can not be exactly defined at the same time. How then can it explain all the appearances which legitimize the fundamental concepts of classical physics?

The fundamental concepts of classical physics, space, time, mass, and derived concepts, velocity, momentum, force, angular momentum, energy ... all rest on the principle that material points have trajectories. They are defined as lines in space-time. Even the dynamics of continuous, solid or fluid media describes the trajectories of the material points which constitute the bodies in motion. But the indeterminacy relation of Heisenberg prevents quantum particles from having such classical trajectories, since their position and velocity can not be exactly defined at the same time. How then can it explain all the appearances which legitimize the fundamental concepts of classical physics?

The fundamental concepts of classical physics, space, time, mass, and derived concepts, velocity, momentum, force, angular momentum, energy ... all rest on the principle that material points have trajectories. They are defined as lines in space-time. Even the dynamics of continuous, solid or fluid media describes the trajectories of the material points which constitute the bodies in motion. But the indeterminacy relation of Heisenberg prevents quantum particles from having such classical trajectories, since their position and velocity can not be exactly defined at the same time. How then can it explain all the appearances which legitimize the fundamental concepts of classical physics?

The fundamental concepts of classical physics, space, time, mass, and derived concepts, velocity, momentum, force, angular momentum, energy ... all rest on the principle that material points have trajectories. They are defined as lines in space-time. Even the dynamics of continuous, solid or fluid media describes the trajectories of the material points which constitute the bodies in motion. But the indeterminacy relation of Heisenberg prevents quantum particles from having such classical trajectories, since their position and velocity can not be exactly defined at the same time. How then can it explain all the appearances which legitimize the fundamental concepts of classical physics?